Magazine
Design incorporates objects, people,
ideas based on the small pleasures of everyday life.
Meet your wonderful design world with the DDP Design Fair.
종킴디자인스튜디오 대표/론칭 큐레이터 김종완
In the epilogue of my second book, A
Promenade in Space, there is a sentence that reads, "These days, Korea
wins everything but the baguette."
It is true that Korea, and Seoul in
particular, has reached the highest level of competence in many ways.
While it is a blessing to live in such a
rich environment that comes with such a high level of excellence, it also
deepens the question of "how" to plan and design for the new era for
designers like me. Thinking about when AI, which is developing at the speed of
light, will come to dominate design makes me truly anxious. As a true believer
in human emotion, it still seems a long way off, but AI's growing presence and
expanding capabilities are undeniable.
Young Koreans these days have what I call a
mutual high level of discernment. They have an excellent sense of beauty that
is almost instinctive from birth. Moreover, their love for self-grooming is
beyond imagination. I don’t mention this to dismiss them. When I evaluate the
work of the students I'm teaching, I often find myself self-reflecting, and I
feel strongly that I have something to learn from these young people who
respond so quickly to new things.
Moreover, their new talents have no limits,
so they reject the set framework and build their own worldview through various
attempts and challenges. It's a worldview that's quite different from the one I
used to have, where I built up skills, philosophized, and created stories for
spaces by focusing on aligning patterns and numbers according to frames and
norms. Along with this worldview, they create stunning spaces that capture the
public's hearts and branding that gets standing ovations without a single textbook
expertise. The loss of expertise means that the design field will become more
competitive, which naturally makes me think about what kind of talent we need
for design in Korea in the future.
In my classes, I always emphasize that
"The future of designers is not only about creating visually beautiful
spaces, but also about planning and telling stories about how to use them
correctly." This isn't just a challenge for future generations, it's
actually a challenge I’ve given myself as well.
You might ask me, "Okay, so how do I
tell the story of a space?" I don't think there's a perfect answer, but I
think the best answer from my experience is to break down the boundaries of
disciplines and categories. It's also important to be open-minded and inclusive.
If you have an attitude of trying to learn even if it's not your field of
interest, treating people and taking in brands without discrimination and
prejudice, I would suggest that you will become a solid and long-lasting
designer.
Gone are the clichéd days when only fashion
designers could become creative directors of luxury fashion brands. It's a
world where singers become fashion directors, rappers become commercial
designers, and ordinary people become world-famous celebrities. It's a world
where anyone and everyone can be "special", including the young
people reading this article.
이전글 | A place for design businesses! Domestic and International Buyer’s Day |
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다음글 | A floral stool made of three pieces |